Download Ebook Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

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Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

Download Ebook Drawing People: How to Portray the Clothed Figure, by Barbara Bradley

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About the Author

Barbara Bradley was the Director of Illustration for 25 years at the Academy of Art College in San Francisco. She has taught several classes and workshops on drawing in the US, as well as in London. Her work is displayed in the Society of Illustrators Museum of American Illustration and in the permanent collection of the US Air Force. She lives in Berkeley, California.

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Product details

Hardcover: 176 pages

Publisher: F+W Media; 1 edition (October 27, 2003)

Language: English

ISBN-10: 9781581803594

ISBN-13: 978-1581803594

ASIN: 1581803591

Product Dimensions:

8.5 x 0.7 x 11 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

73 customer reviews

Amazon Best Sellers Rank:

#72,071 in Books (See Top 100 in Books)

I'm a painter, yet had no confidence in my ability to draw. Wanting to take my oil painting to the next level, I knew I'd need to learn to draw. I've purchased a dozen "how to draw" type books and most of then spend 3-4 chapters telling you what you need to draw. This book teaches you HOW to draw. I mean, let's be real; all you really need is paper, pencil, eraser, sharpener and this book.

Earlier this year, Barbara Bradley was selected by a jury of 75 illustrators, art directors and educators to receive the New York Society of Illustrators' 2007 Distinguished Educator of the Arts Award. "Drawing People: How to Portray the Clothed Figure" is an organized, comprehensive collection of the lessons this outstanding teacher and former illustration department director distilled from 25 years of teaching clothed figure drawing at San Francisco's Academy of Art University. The breadth of Bradley's knowledge and understanding of drawing made this an ambitious undertaking. The result is a book densely packed with key concepts and tips for producing believable, expressive, well-drawn figures.It is unfortunate that two of the recently posted reviews here are so bafflingly critical--especially since one is written by someone who admits he lacks the skill to draw clothed figures himself. As a working illustrator for over 20 years (Domitila: A Cinderella Tale from the Mexican Tradition,The Wishing Tree,Water Beds: Sleeping In The Ocean,Octavia And Her Purple Ink Cloud,The Rainforest Grew All Around), let me assure you that "Drawing People" is a valuable resource both for beginning artists as well as for more advanced, life-long students. Contrary to the title of my review, the inspiration and skills Barbara Bradley passed on to her many students is her real legacy. Her clothed figure drawing book is a bonus--a gift to those not fortunate enough to have experienced her teaching first-hand.

Bradley covers a lot of ground in this book on drawing the clothed figure. The important figure basics of materials and methods, proportions, values, head and hand anatomy, gestures and expression are all included. Beyond that, she covers clothing, how it moves, bends, folds, and fit on people. This is a very good reference for simple and expressive, if not highly detailed, drawing of clothed figures. A similar, though more narrowly focused book with realistic depictions of clothed figures is Lee Hammond's Draw Fashion Models! (Discover Drawing Series). For realistic painting of clothed and unclothed figures, Joseph Sheppard'sHow to Paint Like the Old Masters is one of the best.

I am a figurative painter, illustrator, and part time university instructor who owns two copies of this outstanding book: one for personal use and one as a supplement to teaching.There are very few books available on drawing the clothed figure, and fewer that are useful. This book is a must have for anyone who is a serious beginner or professional figurative artist.It is filled from cover to cover with clearly written text, outstanding drawings and diagrams, and valuable information and insight. Part 1 in the book covers the oft overlooked imperative issues of stance and holding the medium, direct drawing, telling a story, drawing in a sketchbook and drawing in your studio. Parts 2, 3, 4, and 5 progress in a logical way through valuable information on the figure and clothing, including: clear information on how body forms and clothing wrap around, folds including their types and how they move with the form and action of the body, fabric types and textures, patterns, and how to construct clothing on the body, plus pages on drawing hats and footwear. Part 6 includes information on design of the figure in clothing, drawing heads, hands, and children.Barbara Bradley's mastery of subject, joyful spirit, and understanding of how we think and feel moves this far beyond being a simple "How To" book. This book is about drawing the clothed figure, but it is also about expressing an opinion and portraying a living human being.

I strongly recommend this book for students and professionals. It is an outstanding reference book. Brilliantly illustrated and supported by clear explanations and insights.

Best book out there for drawing the clothed figure. Almost all others are about drawing the nude figure.

Great reference with many textures, positions, shapes, and techniques to help learn and perfect your artistic talent.I'm super picky about my art books and demand high quality and variety before I buy them. I'd buy this again.Love it. I recommend it HIGHLY from beginner to advanced artists. Very useful.

This book has given me so many great tips on drawing, and I've seen my work improve. I would recommend this book to anyone seeking to improve their people-drawing skills.

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Ebook Free The Bodyguard's Story: Diana, the Crash, and the Sole SurvivorBy Trevor Rees-Jones

Ebook Free The Bodyguard's Story: Diana, the Crash, and the Sole SurvivorBy Trevor Rees-Jones

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The Bodyguard's Story: Diana, the Crash, and the Sole SurvivorBy Trevor Rees-Jones

Ebook Free The Bodyguard's Story: Diana, the Crash, and the Sole SurvivorBy Trevor Rees-Jones

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Where were you when Diana died?For Trevor Rees-Jones the answer is simple: he was in the same hospital as Diana, fighting for his own life a few rooms away. As bodyguard to her companion Dodi Fayed, he was with the couple when, hounded by paparazzi and with a driver who turned out to be drunk, their Mercedes crashed into the thirteenth pillar of the tunnel under the Place de l'Alma in Paris. Dodi and the driver, Henri Paul, died instantaneously, medics say; Diana was rushed to a nearby hospital where doctors worked feverishly to resuscitate her before giving up in the early hours of Sunday morning.Miraculously, Trevor survived. But his condition was critical -- internal chest injuries and a broken wrist were the least of it. His head had taken the brunt of the impact and suffered catastrophic damage; his face was crushed beyond recognition. In a stunning medical drama, however, a facial surgeon performed a miracle of reconstruction, and -- along with Trevor's own indomitable will and the support of his family and friends -- the bodyguard was able to leave hospital after just over a month. His goal then was straightforward: to return to a normal life as soon as possible, go back to work for his employer, Mohamed Al Fayed, and to the simple pleasures of rugby and his mates at home in Shropshire.But the crash that nearly killed him had killed Diana, Princess of Wales, one of the most famous women of the late twentieth century. A normal life was no longer an option. And as Mohamed Al Fayed's grief at the loss of his son quickly turned into a desperate hunt for reasons, for culprits and conspiracy, Trevor found his unswerving loyalty to the Boss at first questioned and then,ultimately, destroyed, as Fayed pointed the finger of blame at him.THE BODYGUARD'S STORY grippingly describes, for the first time, Trevor Rees-Jones's part in these astonishing events. From the prelude to Paris, when Trevor foun

• Amazon Sales Rank: #287324 in Books
• Brand: Grand Central Publishing
• Published on: 2000-03-15
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .94" w x 5.98" l, 1.47 pounds
• Binding: Hardcover
• 318 pages

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• Great product!

From the Inside Flap Where were you when Diana died?

For Trevor Rees-Jones the answer is simple: he was in the same hospital as Diana, fighting for his own life a few rooms away. As bodyguard to her companion Dodi Fayed, he was with the couple when, hounded by paparazzi and with a driver who turned out to be drunk, their Mercedes crashed into the thirteenth pillar of the tunnel under the Place de l'Alma in Paris. Dodi and the driver, Henri Paul, died instantaneously, medics say; Diana was rushed to a nearby hospital where doctors worked feverishly to resuscitate her before giving up in the early hours of Sunday morning.

Miraculously, Trevor survived. But his condition was critical -- internal chest injuries and a broken wrist were the least of it. His head had taken the brunt of the impact and suffered catastrophic damage; his face was crushed beyond recognition. In a stunning medical drama, however, a facial surgeon performed a miracle of reconstruction, and -- along with Trevor's own indomitable will and the support of his family and friends -- the bodyguard was able to leave hospital after just over a month. His goal then was straightforward: to return to a normal life as soon as possible, go back to work for his employer, Mohamed Al Fayed, and to the simple pleasures of rugby and his mates at home in Shropshire.

But the crash that nearly killed him had killed Diana, Princess of Wales, one of the most famous women of the late twentieth century. A normal life was no longer an option. And as Mohamed Al Fayed's grief at the loss of his son quickly turned into a desperate hunt for reasons, for culprits and conspiracy, Trevor found his unswerving loyalty to the Boss at first questioned and then,ultimately, destroyed, as Fayed pointed the finger of blame at him.

THE BODYGUARD'S STORY grippingly describes, for the first time, Trevor Rees-Jones's part in these astonishing events. From the prelude to Paris, when Trevor found himself minding the Princess and her two sons in the south of France, to the crash itself and its causes and consequences, this book reveals the true, first-hand account of one of the most sensational news stories of the last century. Compelling, alarming and yet deeply moving, it is a remarkable story of courage under fire, and of how ordinary people can react to extraordinary circumstances and survive, scarred, but with their souls and values intact.

About the Author "Trevor Rees-Jones was born in 1968. A former soldier, he then joined the security staff of Mohamed Al Fayed, the controversial Egyptian multi-millionaire businessman and owner of Harrod's, and worked as personal bodyguard to Fayed's son Dodi. In the summer of 1997, as a friendship developed between Dodi and Diana, Princess of Wales, Trevor found himself a first-hand witness to the events leading up to the crash that would kill them both on August 31 in Paris.

Following his discharge from the hospital, Trevor returned to the UK in October 1997, and was an inside party to the French investigation that followed. He resigned from his job with Fayed the following April, and now lives in Oswestry, Shropshire."

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Ebook Free Contours of the World Economy 1-2030 AD: Essays in Macro-Economic HistoryBy Angus Maddison

Ebook Free Contours of the World Economy 1-2030 AD: Essays in Macro-Economic HistoryBy Angus Maddison

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Contours of the World Economy 1-2030 AD: Essays in Macro-Economic HistoryBy Angus Maddison

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This book seeks to identify the forces which explain how and why some parts of the world have grown rich and others have lagged behind. Encompassing 2000 years of history, part 1 begins with the Roman Empire and explores the key factors that have influenced economic development in Africa, Asia, the Americas and Europe. Part 2 covers the development of macroeconomic tools of analysis from the 17th century to the present. Part 3 looks to the future and considers what
the shape of the world economy might be in 2030. Combining both the close quantitative analysis for which Professor Maddison is famous with a more qualitative approach that takes into account the complexity of the forces at work, this book provides students and all interested readers with a totally
fascinating overview of world economic history. Professor Maddison has the unique ability to synthesise vast amounts of information into a clear narrative flow that entertains as well as informs, making this text an invaluable resource for all students and scholars, and anyone interested in trying to understand why some parts of the World are so much richer than others.

• Sales Rank: #1005516 in eBooks
• Published on: 2007-09-20
• Released on: 2007-09-20
• Format: Kindle eBook

Review

"The scope of the books is sweeping and ambitious.... Recommended."--CHOICE

About the Author

Angus Maddison is Emeritus Professor of Economic Sociology at the University of Groningen. Known for his pioneering work in the field of the quantification of economic growth in the global and historic perspective, Professor Maddison has enjoyed a varied career. He has held a number of positions at St. Andrews University, Johns Hopkins University, MacGill University, the OECD, and Harvard University. He has also acted as a policy advisor for a number of institutions and advised the governments of Ghana and Pakistan. Prof. Maddison was recently awarded the title of Commander in the Order of Orange-Nassau in the Netherlands.

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PDF Download One Day We Will Live Without Fear: Everyday Lives Under the Soviet Police StateBy Mark Harrison

PDF Download One Day We Will Live Without Fear: Everyday Lives Under the Soviet Police StateBy Mark Harrison

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One Day We Will Live Without Fear: Everyday Lives Under the Soviet Police StateBy Mark Harrison

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What was life in the Soviet Union really like? Through a series of true stories, One Day We Will Live Without Fear describes what people’s day-to-day life was like under the regime of the Soviet police state. Drawing on events from the 1930s through the 1970s, Mark Harrison shows how, by accident or design, people became entangled in the workings of Soviet rule. The author outlines the seven principles on which that police state operated during its history, from the Bolshevik revolution of 1917 to the collapse of the Soviet Union in 1991, and illustrates them throughout the book. Well-known people appear in the stories, but the central characters are those who will have been remembered only within their families: a budding artist, an engineer, a pensioner, a government office worker, a teacher, a group of tourists. Those tales, based on historical records, shine a light on the many tragic, funny, and bizarre aspects of Soviet life.

• Sales Rank: #901184 in Books
• Published on: 2016-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.10" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 250 pages

Review
"This book will appeal to readers across a wide spectrum, from general readers looking for something unique and interesting to read to academics seeking insights into how the secret police operated and the impact that their actions had on ordinary citizens." —Anna Dogole, historyinreview.org

About the Author
Mark Harrison is a professor of economics at the University of Warwick and a research fellow at the Hoover Institution. He has visited Russia many times and has written extensively about the economic history of the Soviet Union and of the two world wars. His most recent book is The Economics of Coercion and Conflict (World Scientific, 2015).

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